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During his lifetime, the Father of Barbie had his name on more than a thousand patents, and was a man of seemingly as many personas inventor, designer, and serial Casanova, to name just a few. The Los Angeles Times once characterized him as a strange mixture of the new technologist and the old playboy. Zsa Zsa Gabor, the second of his ve wives (he was the sixth of her nine husbands), had a somewhat different view. She described the Father of Barbie this way: [M]y knight in shining armor, the inhabitant of a fairy-tale castle, Jack my new husband . . . was a full-blown seventiesstyle swinger into wife-swapping and sundry sexual pursuits as a way of life. Most of her assessment was accurate, except for the wife-swapping part, unless she meant he swapped one old wife for one new one with rings and weddings, like she did with her mates. Except for a small circle of con dantes, few knew that the Father of Barbie was a mass of treatable and untreatable emotional problems and addictions, including what later became known as hypersexuality, a manic need for sexual grati cation, which was one of the symptoms of his bipolar disorder a well-kept secret and an illness that explained his compulsive womanizing. Barbie has quite an untold heritage.

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of ruins surrounding the words THE END (Cf my discussion in Eight) The fall of Rome has barely begun, but the loss is already being conceived as complete And this ending may have made contemporary audiences think and feel about their own moment in history Even if the West had recovered from the barbarities of two world wars, the early 1960s was still a time of precariousness and anxiety over the Cold War and a nuclear arms race, soon to be followed by student unrest, Vietnam, Watergate, and much beyond33 For viewers attuned to the emotional pull of romance and melodrama, here coupled to their sense of spectacular visual beauty and historical understanding, the effect can be overwhelming.

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In such emotional involvement may actually lie the ultimate cause for the lm s nancial failure at the box of ce far more than in the public s often postulated satiety with sword and sandal movies Those who had gone to see The Fall of the Roman Empire in the expectation of watching another uplifting story had their expectations thwarted and may have warned others off this lm: No happy ending! The lm s end title closes what had begun with the title card, whose thematic importance is commonly overlooked Side by side with male and female gures drawn in the style of ancient graf ti we can read two Latin phrases on either side of the screen On the lower right, also in graf tistyle, is VOX POPVLI and under it, in smaller letters, VOX DEI: The voice of the people is the voice of God.

Although it is a proverbial Christian saying, it ts the lm s pagan context34 The saying is by Peter of Blois, the twelfth-century poet, diplomat, and Latin secretary to King Henry II, to Eleanor of Aquitaine, and to several archbishops of Canterbury It was addressed to the clergy and exhorted them to heed their congregations judgment of them Its roots are ancient, both biblical and pagan35 In the lm it contrasts with the people s obliviousness to Commodus ruinous policies, just as it emphasizes his disregard of the people In the lm s rst half the voice of Marcus Aurelius had addressed the empire s leaders but had really expressed his concerns for the people: VOX MARCI, VOX.

when you try to make it even cheaper by selling prepayment tokens through third parties (such as banks and supermarkets) it can rapidly become expensive, complicated, and risky. This is largely because of the security engineering problems created by mutual mistrust between the various organizations involved. Changes to a business process can be very expensive if they affect the security infrastructure. For example, the requirement to sell meter tokens other than at local shops, to support commuters, was not anticipated and was costly to implement.

You ll be taken to the Link Text Wizard dialog box. Generally speaking, Access makes a pretty good guess at how the data in the file is delimited. Linking to text data involves nothing more than clicking Next and verifying that Access has correctly identified the data in the file.

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